Steve Cropper, musician of Booker T and the MGs, dies at the age of 84
Steve Cropper, the acclaimed guitarist with Booker T and the MGs, has died at the age of 84.
The guitar virtuoso, who performed on and collaborated on writing the classic song Sittin' On the Dock of the Bay and the hit track In the Midnight Hour, died on Wednesday in Music City, Nashville.
Considered among the best backing bands in soul music, the group Booker T & the MGs was the resident studio band of the groundbreaking Memphis label Stax and is most famous for their 1962 instrumental track Green Onions.
Cropper also joined the blues revival band The Blues Brothers in the 1970s and played on their hit cover of Soul Man.
"Steve was a cherished musician, songwriter, and producer whose immense talent inspired generations around the world," his family said in a message.
"While we grieve the loss of a loved one and companion, we take solace knowing that Steve will endure through his music," they continued.
A specific cause was not released at this time.
A friend, Eddie Gore, recalled he was with Cropper on Tuesday in Nashville, where the guitarist had been working on new songs.
"He's such a good human," Gore said. "We were fortunate to have him, for sure."
An Illustrious Journey
Named the second-best guitarist of all time by a UK publication in 1996, Cropper began working at Stax in 1961 at the age of 20.
A year later, the MGs came together, featuring organist Booker T Jones, drummer Al Jackson and bassist Lewie Steinberg - who was succeeded by Donald "Duck" Dunn in 1964.
The band was inducted into the Rock and Roll Hall of Fame in 1992.
"I've always thought of myself as a rhythm player," Cropper remarked in a past interview. "I enjoy the fact that I can play something repeatedly, while other guitar players avoid that approach. They are reluctant to repeat the same phrase twice."
Not only was he a guitarist, Cropper was a prolific songwriter, and besides Dock of the Bay and In the Midnight Hour, he co-wrote Eddie Floyd's hit Knock on Wood.
According to historical accounts, he was "a part of virtually every record issued by Stax from 1961 through the end of 1970".
"We would often spend long days in the studio," Cropper once recalled. "I think we had a roster of artists on the roster, so we had a pretty busy schedule."